Resources for the Reading

The people I quoted, the books and films I named, and the ideas I leaned on along the road, with somewhere to read further.

The people

Aesop

The Greek fabulist whose tortoise and hare the essay uses to ask what survives a story: the plot or the players.

in Tulum (the interlude The Pendulum)

Alexander the Great

Named in Solstice Grove only as a date marker, showing how far into his era the old mystery cults still ran.

in Solstice Grove

Ares

The Greek god of war the interlude imagines answering for what struggle is good for, in an essay on war and festivals.

in September 11 (the interlude War and Festivals)

Athena

Goddess of wisdom and Ulysses' protector in the Odyssey, who appears as if from nowhere to save him from every perilous situation, named in the Cancun chapter.

in Cancun

Gregory Bateson

Anthropologist and cyberneticist who defined information as a difference that makes a difference, in Steps to an Ecology of Mind, cited in the Cassie chapter.

in Cassie

Jean Baudrillard

French theorist of simulation and the hyperreal; Cassie borrows his line that the map now precedes the territory to describe living inside a simulation.

in Cassie

Bon Jovi

An American rock band from New Jersey, named in the Birth of a Star essay as one shorthand for how a crowd wants to see itself.

in Burning Man (the interlude Birth of a Star)

Brahma

The creator god the chapter says was born at Pushkar, rising from a turtle's back on a lotus flower.

in India

Calliope

The Muse of epic poetry, the one Homer is said to have called on to sing the wanderings this whole book retells.

in The Muse (the interlude The Oral Tradition)

Calypso

The nymph who delays Ulysses on her island; grouped with Circe and Helen in the Cancun passage as a force that complicates his return.

in Cancun

Carlos Castaneda

Peruvian-American writer on shamanic apprenticeship, named among Niko's early reading in Athens, asked after in Tulum, and credited in Costa Rica with a book on lucid dreaming.

in Athens, Tulum and Costa Rica

Constantine P. Cavafy

The Alexandrian Greek poet he credits with saying it best, his poem on Ithaka giving shape to this passage's whole argument about arrival.

in When the Masks Speak

Manu Chao

French-Spanish musician whose blend of languages and rhythms colors the mood as the narrator packs for the second part of his trip.

in September 11

Saint Christopher

The patron saint of travelers, given to him as a little icon by his mother along with her stories, in the Athens chapter.

in Athens

Circe

The sorceress who turns Ulysses' crew into pigs while seducing him; the book calls on her twice, once in Cancun and again as a warning image in Babylon.

in Cancun and Back To Babylon

Kurt Cobain

Nirvana's frontman closes the list of trainwrecks in Birth of a Star; Nevermind is the record that made him famous.

in Burning Man (the interlude Birth of a Star)

Paulo Coelho

The Brazilian novelist whose 1988 fable of a shepherd chasing his fortune gets named beside Castaneda and McKenna, in the Athens chapter's roll call of authors that shaped him.

in Athens

Demeter

Greek goddess of grain and harvest, paired with Persephone in The Pendulum as a rebirth story that gives way to Easter.

in Tulum (the interlude The Pendulum)

Leonardo DiCaprio

The actor whose film gives Niko's Tulum companions their nearest comparison for a hidden beach community that already felt like a movie.

in Tulum

Albert Einstein

Cited alongside the Manhattan Project scientists as proof that the biggest ideas arrive in dream or in strange, fatalistic sequence, not on schedule.

in Iquitos, Peru

Eurycleia

Ulysses' aged, loyal nurse, who recognizes him by an old scar; named in Cancun among the women around him on his way home.

in Cancun

Ganesha

The elephant headed remover of obstacles, inked on the forearm of the young monk he meets on the road.

in Back To Babylon

Che Guevara

The revolutionary whose young road trip, read in the Motorcycle Diaries, gave the whole book its founding image of travel as a wild odyssey.

in Cancun

Guns N' Roses

The Los Angeles hard rock band listed alongside Bon Jovi and Megadeth in the same essay, each one a mirror for a different crowd.

in Burning Man (the interlude Birth of a Star)

Helen of Troy

The beauty whose abduction starts the Trojan War; the Cancun chapter lists her among the figures who both stir and complicate the hero's path.

in Cancun

Paris Hilton

Closes the reality star list in Birth of a Star. The Simple Life is the show that made her one.

in Burning Man (the interlude Birth of a Star)

Adolf Hitler

Named only as a date marker in the Iquitos chapter, the day before his birthday, when Hofmann first took LSD.

in Iquitos, Peru

Albert Hofmann

The Swiss chemist who first took LSD in 1943, named the day before Hitler's birthday and used twice in the Iquitos chapter to frame the story's fatalism.

in Iquitos, Peru

Michael Jackson

One of the five trainwrecks the essay lists, a pop star whose fame the piece treats as a warning as much as a triumph.

in Burning Man (the interlude Birth of a Star)

Janis Joplin

Blues singer named beside Jackson and Monroe as a fame casualty in the Burning Man interlude, Birth of a Star; Pearl came out after she died.

in Burning Man (the interlude Birth of a Star)

James Joyce

Irish novelist whose Ulysses remade what a novel could do, named among ideas that reshaped the narrator's outlook in college.

in Cassie

Frida Kahlo

The painter Niko names as inspiration in Cancun, for the character and role she chose to play against her own history.

in Cancun

Ricky Martin

The Latin pop star named as the mainstream's sound, the counterpoint to the Goa trance the Tulum crowd chose instead.

in Tulum

Mary, mother of Jesus (the Virgin Mary)

The mother of Jesus: the other icon his mother pressed into his hands as a boy, alongside Saint Christopher, and the figure legend says crossed Greece and fell for Athos, which opens the Babylon chapter.

in Athens and Back To Babylon

Terence McKenna

The ethnobotanist and psychedelic philosopher named twice, once in the Athens reading list and once when Tulum asks what he and Castaneda would make of it all.

in Athens and Tulum

Megadeth

The Los Angeles thrash metal band Dave Mustaine formed after leaving Metallica, named in the same list of bands as tribal mirrors.

in Burning Man (the interlude Birth of a Star)

Marilyn Monroe

Another of the five, an actress whose fame the essay reads the same way, brightness that burned faster than it could be carried.

in Burning Man (the interlude Birth of a Star)

Jim Morrison

Fronted The Doors and died at 27, one more name in the same list of trainwrecks in Birth of a Star.

in Burning Man (the interlude Birth of a Star)

Muses (Greek mythology)

The goddesses of inspiration Niko thanks by name near the close of a reflective passage, for keeping him on the path when he wanted to quit.

in Cyber-Shamanism

Nausicaa

The Phaeacian princess who finds Ulysses shipwrecked and helps him home; the Cancun passage calls her the blue blooded princess among his helpers.

in Cancun

Friedrich Nietzsche

Named twice: once among ideas that reshaped the narrator's outlook in college, once as a philosopher a trilingual traveler in Brazil could debate fluently.

in Cassie and Brazil

Nirvana

The Seattle band named as the sound the regular world was listening to, set against the Goa trance playing at the free parties.

in Tulum

Penelope

Ulysses' wife, who waits in Ithaca warding off suitors; the Cancun chapter names her among the women who shape his journey home.

in Cancun

Persephone

Demeter's daughter, queen of the underworld each winter, set beside Christ's rebirth in The Pendulum's argument about myth and the seasons.

in Tulum (the interlude The Pendulum)

Pied Piper of Hamelin

The pipe-playing figure of German legend, paired with Peter Pan in the same line as another image for a life lived light and leading others along.

in Tulum

Plato

The Athenian philosopher the book turns to twice, at the solstice grove and in Iquitos, as a witness that real mysteries are kept half spoken.

in Solstice Grove and Iquitos, Peru

Simon Posford

The psytrance producer whose New York show pulled Niko back onto a dance floor after a year without dancing or psychedelics.

in Cyber-Shamanism

Elvis Presley

Used twice, in the desert chapter and again in Babylon, as shorthand for the machine of fame the narrator is trying to explain.

in Burning Man and Back To Babylon

Quetzalcoatl

The Aztec feathered serpent god, set beside the Greek gods in Cancun as proof that a myth can wear a human face or an animal one.

in Cancun

Ram Dass

Guru and psychologist whose 1971 book Be Here Now helped carry Eastern spirituality west, one name in the narrator's own list of ideas from college.

in Cassie

James Redfield

The Alabama-born author of The Celestine Prophecy, credited by name once in the Athens chapter's list of the books shaping Niko at the time.

in Athens

Rumi

Held up in the Iquitos chapter as the clearest case of poetry as the only honest vessel for what the whirling dance reveals.

in Iquitos, Peru

William Shakespeare

Named as the essay's third stop on the road from ancient drama to shared modern spectacle, no single play of his is named.

in September 11

Shiva

The Hindu god of creation and destruction, named in Tulum's talk of sacred geometry and later inked on a young monk's arm in Babylon.

in Tulum and Back To Babylon

Titans (Greek mythology)

The primordial gods the Olympians overthrew, first told in Hesiod's Theogony; the book borrows their name for the founders of a new scene in Tulum.

in Tulum

Donald Trump

Listed with the Kardashians and Paris Hilton in Birth of a Star as a reality star turned fixture on TV. The Apprentice made him one.

in Burning Man (the interlude Birth of a Star)

The Who

The English rock band Niko says an unconfirmed legend credits with playing a concert in Goa and leaving behind the gear that seeded its recording scene.

in India

Ken Wilber

Integral theorist whose Sex, Ecology, Spirituality tried to fuse science and spirit into one map, one name in that same list of ideas from college.

in Cassie

The books, films and songs

The Alchemist

Paulo Coelho's parable of a shepherd chasing a dream to the pyramids, named in the Athens list and raised again on the Tulum beach.

in Athens and Tulum

Alice's Adventures in Wonderland

Alice, the girl who tumbled down Lewis Carroll's rabbit hole, turns up at Burning Man's mobile bars for a mushroom brew in this chapter's imagery.

in Burning Man

The Beach (film)

Danny Boyle's film of Alex Garland's novel, the comparison Niko's new Tulum friends reach for twice to describe their hidden beach.

in Tulum

Black Sabbath

The band Jorge asks if Niko knows, picking up a guitar in Ecuador, and later one of the only records he owns.

in Ecuador

Calibrating the Collective Consciousness

The narrator's own essay on 9/11, sports, and mass televised events, reproduced in full inside the September 11 chapter.

in September 11

Can I lie next to you (unattributed verse)

An unattributed verse set mid-chapter in Brazil; no printed source turned up, so it may be his own.

in Brazil

The Celestine Prophecy

James Redfield's 1993 novel of nine spiritual insights found in Peru, named in the Athens reading list and asked about again on the beach in Tulum.

in Athens and Tulum

E.T. the Extra-Terrestrial (film)

Spielberg's 1982 film supplies the fingertip to fingertip image the book borrows for the screen reaching across the species line.

in When the Masks Speak

The Fifth Element

Luc Besson's 1997 film, the half joking yardstick Niko reaches for twice in Cancun to size up a woman who seems otherworldly.

in Cancun

Ghost in the Shell (film)

Mamoru Oshii's 1995 anime, from Masamune Shirow's manga, about a cyborg policewoman questioning her own selfhood, the boyhood film he calls his second stranger.

in When the Masks Speak

Iron Maiden

Named among the handful of records Jorge owns in Ecuador, alongside Black Sabbath and Metallica, his only real possessions.

in Ecuador

James Bond

Named in an email quoted in Cancun, the spy Ian Fleming created, invoked half joking as a stand in for Niko's own adventures.

in Cancun

Le Monde

The French daily the narrator names as the world waiting at his feet in Paris, founded in 1944 and still France's leading paper of record.

in Paris

The Legend of Zelda (video game series)

Nintendo's fantasy adventure game series, named in the same breath as Star Wars during the joking recap of tape footage in the Palenque chapter.

in Palenque

Mad Max

Mad Max, the Australian franchise of wasteland chrome and outback raiders, lends its crew to the same Burning Man scene beside Alice.

in Burning Man

Man-Computer Symbiosis (1960 essay)

Licklider's essay naming the partnership between human minds and machines, the very phrase this chapter borrows outright.

in When the Masks Speak

The Matrix

The Wachowskis' 1999 film about a simulated reality: the chapter compares calling a friend for answers to Morpheus guiding Neo, and Tulum reaches for it twice as shorthand for a numbed, systematized life.

in Solstice Grove and Tulum

Metallica

The third name in Jorge's small stack of records in Ecuador, next to Black Sabbath and Iron Maiden; named again in Birth of a Star beside Bon Jovi and Megadeth.

in Ecuador

Michael's coffee paintings (untitled series)

The unnamed paintings a fellow traveler in Costa Rica made with coffee itself, folk art turning colonial history into pigment on paper.

in Costa Rica

The Motorcycle Diaries

Che Guevara's memoir of his 1952 motorcycle trip across Latin America, named in Cancun and echoed unnamed on the beach at Tulum.

in Cancun and Tulum

My First Trip

The narrator's own journal poem, quoted in full across three pages of the Paris chapter; it exists only inside this book.

in Paris

Odyssey (Homer)

Homer's epic of a long way home, the poem this book's own title winks at when Niko calls his story my Odyssey near the end.

in The Muse

Pale Blue Dot (Carl Sagan)

The phrase the book borrows for Earth seen whole comes from Sagan's 1994 meditation on the Voyager photograph.

in Athens (the interlude Why We Dance)

Penthouse

Bob Guccione's magazine, Playboy's rival, named in the same breath as the Swimsuit Issue in the Birth of a Star essay.

in Burning Man (the interlude Birth of a Star)

The Pied Piper of Hamelin

The medieval German legend of the piper who leads the children away, borrowed here only as a figure for how MTV hypnotized Greek youth in the Athens chapter.

in Athens

Playboy

Hugh Hefner's men's magazine, named with Penthouse and the Swimsuit Issue as a picture of a body a culture is asked to want.

in Burning Man (the interlude Birth of a Star)

The Power of Now

Eckhart Tolle's guide to living in the present moment, the book Mary gives Niko at Solstice Grove, telling him it will help.

in Solstice Grove

Sports Illustrated Swimsuit Issue

The annual Sports Illustrated issue of swimsuit photography, named beside Playboy and Penthouse as an example of a wished for image.

in Burning Man (the interlude Birth of a Star)

Star Wars

George Lucas's space saga, invoked as Jedi talk in the Palenque chapter and echoed, unnamed, in the Force blessing after the effigy burn in the Burning Man chapter.

in Palenque and Burning Man

The Tibetan Book of the Dead

In Iquitos he reaches for this old Tibetan death text to explain the ayahuasca ecstasy, a traditional terma with no single author to credit.

in Iquitos, Peru

War in the Age of Intelligent Machines

DeLanda's 1991 book, alluded to rather than named, tracing war and technology through Foucault's and Deleuze and Guattari's tools, narrated by a robot historian.

in When the Masks Speak

The lines quoted

Baudrillard on the map and the territory

From Simulacra and Simulation, where Baudrillard argues the map now precedes the territory; Cassie's wording is a close paraphrase, not an exact quotation.

in Cassie

Bateson on information

Gregory Bateson's phrase about information as a difference that makes a difference, from his 1972 essay collection, quoted in the Cassie chapter.

in Cassie

The teacher must die before they can teach

This aphorism in Solstice Grove reads as the narrator's own line. Nothing in Gurdjieff, Sufi, or Zen teaching collections matched it word for word.

in Solstice Grove

Wink wink, say no more

Echoes Monty Python's Nudge Nudge sketch, where nudge nudge, wink wink, say no more stands in for whatever is left unspoken.

in Tulum

Bom Bolonat

A traditional call to Shiva as Bholenath, lord of innocence, sung out before the chillum is lit, not a line from any book.

in Tulum

Dance like nobody's looking (proverb)

The book calls it a wise proverb, but the closest traceable line is from a 1987 country song, not an old saying handed down anonymously.

in Ecuador

The ideas and the places

Antigua Guatemala

The colonial city he keeps returning to in the Guatemala chapter, named four times as a base and a backdrop.

in Guatemala

Archetype (Jungian concept)

Jung's term for the inherited patterns he thought lie beneath myth and dream: the word the Ecuador chapter uses for our deepest needs, the jester he names for himself in Babylon, and the masks set against stereotypes in the Epilogue.

in Ecuador, Back To Babylon and When the Masks Speak

Arenal Volcano

The cone that fumes over the Costa Rica chapter, a real andesitic stratovolcano in Alajuela province, active for decades before it quieted in 2010.

in Costa Rica

Attractor (dynamical systems)

A term from dynamical systems, the state a system settles toward regardless of starting point, used here for a path curving toward what wants to happen.

in When the Masks Speak

Curandero

The traditional Latin American folk healer: Carlos in Chiapas, Clara's cousin, whom Oliver tells Niko to check in with, and the teachers Scott learns from in the Amazon.

in Cancun, Palenque, San Cristobal and Iquitos, Peru

DMT (dimethyltryptamine)

The short-acting psychedelic that the Paris chapter names as a marker in time, that opens the Solstice Grove chapter, that Tarquin carries at the Castle in Tulum, and that Palenque recalls.

in Paris, Solstice Grove, Tulum and Palenque

Eleusinian Mysteries

Demeter and Persephone's ancient initiation rite at Eleusis, the model Solstice Grove sets beside the Kabeirian rites, returned to fully in Tulum and Iquitos, and the rites India recalls as punishable by death to reveal.

in Solstice Grove, Tulum, Iquitos, Peru and India

Entheogen

The general term for a sacred psychoactive substance, used here only inside the documentary's title and not spoken again in the chapter.

in Flying On Mescaline

Flow (psychological state)

The Costa Rica chapter's central idea, the immersive mental state Csikszentmihalyi named and spent his career mapping; in Ecuador riding the flow is the narrator's own idiom for trusting the path, a related but looser sense.

in Costa Rica and Ecuador

Full Moon Party (Koh Phangan)

The monthly all-night beach rave on Koh Phangan running since 1985, his last base before he headed to Tulum.

in Tulum

Greek Civil War

The war of 1946 to 1949 his grandmother lived through and was nearly executed in, named directly in one chapter and implied by context in two others.

in Athens, Cancun and When the Masks Speak

Karakatsaneiko philosophy of life

His own family's counterweight to the Spartan view, this reads as a term of his own coining with no outside documented source.

in Athens

Machu Picchu

The Inca citadel in Peru, named as the setting for solstice ceremonies in a job ad the narrator writes early in the book.

in The Muse

Maya calendar and the 2012 prophecy

The ancient Mesoamerican timekeeping system, and the modern doomsday reading of its Long Count end date on 21 December 2012, which fascinated him since boyhood and which Tulum lays out through Argüelles' theory of time.

in Solstice Grove, Cancun, Tulum, Palenque and Costa Rica

Okeechobee Music Festival

The Florida festival Niko directed, named here as the first attempt at building a space for young people to let loose safely.

in San Cristobal (the interlude Design and Friction)

Opium

The drug the chapter says a desert host dissolves in water for a guest, offered as a gesture of peace and welcome.

in India

Rorschach test

The inkblot test Niko borrows to describe a twirling orange snowflake, yellow and red twisting together at its center.

in Paris

The Sacred Circuit

Niko's own phrase for the loop he is building, mythology, technology and ritual closing back on each other, named plainly in his own words.

in Back To Babylon

Samba

The Afro-Brazilian music and dance heard live on his last night by the lagoon in Florianopolis.

in Brazil

San Pedro cactus (huachuma)

The Andean cactus used in solstice ceremonies at Machu Picchu, named alongside ayahuasca in the same call for writers.

in The Muse

Solstice Grove

A dance gathering Niko recalls from earlier in his travels, named once in the India chapter as a place he had already danced, and the title of chapter four.

in India